Assange is a Source, Not a Journalist
At the designated time I walked into the foyer. An administrative assistant told me that it would just be a few minutes. It was.
The inner-office door opened and two men in suits walked out gesturing politely. The firm was that of Hugh Manes (pronounced MAY-nuhs) the dean of police abuse case lawyers in Los Angeles. Manes came out, looking a bit like Winston Churchill, rumpled starched shirt and all, “I'm going to wash up. Come on in and make yourself at home.” He walked down the hallway.
I went into his office and stood there looking around at the mess of files scattered about. A framed drawing on the wall caught my attention and I walked over to get a better look. It was a pencil drawing of the Joad's truck from “The Grapes of Wrath,” with the whole family included. At the bottom right was a signature. I looked closely. “Henry Fonda.”
“You like that?”
I turned to greet Manes. “Yes sir, this is amazing. He gave it to you?”
“Sir? Where are you from?”
“Oh, yeah, the south.” We shook hands.
“Henry was a great man. Yeah, that was a gift from him.”
Mr. Manes' had his assistant call me when he heard that I was doing a story on LAPD. It was during the Rodney King case. My managing editor had asked me to get another story about the police that might top the King story. My reaction to that had been, “You don't like me any more? I could just quit, it would be safer.”
My digging had turned up lots of information about police-dog attacks, including on young children. Some of those had been fatal. Manes had heard about my work on that story and called me in to suggest that I look into the LA Sheriff's office where the bites were even worse. We talked for a while and he offered help from his staff. I politely declined. I pretty much had sewn up my story, which had to be about LAPD. I promised to stay in touch and did. By the way, he was right about the Sheriff's dogs and I pitched that later but TV News has a short attention span and such follow-ups are rare.
This is how reporting works. Sources call. Sources finally give in after you torture them with persistence, or persuade them with passion. Sources refer you to other sources. Many of those are leaking something that they want to get published or on the air. Reporters, producers, well, journalists then take that source material, give it some editorial vetting, decide what to put out there and they write their story.
The information that Manes was offering was not from his own files, it was from police files, having been obtained through routine checks, freedom of information act requests or handed to him, leaked. He was a middle man, a source. He was not a journalist. That was my job.
So what makes Wikileaks' Julian Assange think that he is a journalist?
“He's not a journalist, he is a source, but I think he is really something in between, because his Wikileaks is like a bullhorn. This guy is a creature of the new media, no doubt about it, but in order for him to have the juice that he has he is definitely reliant on the old media,” says Eric Williams long-time New York street reporter, now living in Australia covering Australasia. Williams is an award-winning journalist in his own right and a fellow member of the Society of the Silurians, America's oldest press club.
Williams continued, “Sources are really important, because how the hell are you able to do your job otherwise? There is a difference between Wikileaks and getting a story that someone turns you onto, or plants with you, in order to take somebody out, like in the Valerie Plame case with Robert Novak.”
Assange is releasing hundreds of thousands of documents, a shot gun approach, as opposed to the Plame case, but some say that he still has political motives in his “dumps” of information. People like Vice President Joe Biden and Sarah Palin, more for pandering than bipartisanship, go as far as to say that he is a terrorist. But, back to reality.
What separates Assange from journalists is the reporting; the writing and the presentation of the information in a format that is meaningful for the public.
In fact, that reporting is missing from the entire picture, the old media included. In tracking the Wikileaks story it is impossible to find the substantive reports that show real news in the content of the leaks. Where are the articles that utilize the leaks to advance a story, rather than just throwing the leaks out there? Most of the reports are about the leaker, his methods and the emotions that he stirs. The source is the story, but the source is not a journalist.
“Assange is a game-changer, for sure. We are learning the truth, so that's a good thing and he is pissing off the power elite and that's a good thing, because just like everyone else, I don't feel comfortable being left in the dark,” Williams adamantly states.
In my own experience I have covered whistleblowers including NASA employees who tried to warn the agency that shuttle booster rocket O-rings could burst if they were too cold. They were shut away, demoted and kept out of the limelight until after Challenger blew up taking the lives of all on board. I wonder if people opposed to Wikileaks would rather that those NASA employees' concerns were exposed to save the lives of that crew, or would they want the whistleblowers marked as terrorists, hunted down, as Sarah Palin suggests, silenced and imprisoned, leaving us in the dark. Wikileaks is a vehicle for whistleblowers to expose such important information. Now let's see whether the modern media can handle the flow and improve our lives with their reporting on the content of the source's leaks.
He said, “Let there be light, and there was light, … and it was good.”